Cy Twombly: Rabiscos, Manchas e Borrões.
DOI:
https://doi.org/10.5965/24471267512019086Keywords:
drawing , painting, surfaceAbstract
The paper discuss some of the characteristics that compose the draw and the painting; how these two languages relate to each other and where they differ. The text is based on the writings of the philosopher Roland Barthes, where he analyses Cy Twombly work from 1961 to 1979, and is based on Walter Benjamin essay of 1917, that presents the elements of painting and drawing in a disjunctive way. Both reflections explore aspects like the stain, the support, the stroke, inscriptions and graphisms. Barthes comments on elements that are present in Twombly’s paintings that could be considered exclusive in the drawing collection. From the approaches presented by the philosophers it is intended to promote a debate about these two languages, to discuss about the specificities of each one, and to reflect about how those characteristics are showed in the more recent art.
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References
BARTHES, Roland. O Óbvio e o Obtuso. Edições 70. Lisboa - Portugal, 1982.
BARTHES, Roland. A sabedoria da arte. Catálogo da 23ª Bienal de São Paulo: Salas Especiais. São Paulo, 1996.
BARTHES, Roland. Cy Twombly ou Non Multa Sed Multum. Guia das Artes, nº 39. A Casa Editorial Paulista Ldta. São Paulo, 1996.
BENJAMIN, Walter. Sobre a Pintura ou Sinal e Mancha. http://www.rae.com.pt/Caderno_wb_2010/Benjamin%20Zeichen%20und%20Mal%20port.pdf em 07 junho 2012.
DAIGLE, Claire. Lingering at the threshold between word and image - Cy Twombly. http://www.tate.org.uk/context-comment/articles/lingering-threshold-between-word-and-image pesquisado em 22 de julho de 2012.
http://www.moma.org/collection/object.php?object_id=79852 em 10 junho 2012.
SEROTA, Nicholas. http://www.cytwombly.info/twombly_writings5.htm em 05 de maio de 2012.
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