The pianistic art of Barbara Nissman

Authors

  • Fernando Vago Santana Universidade Federal de Juiz de Fora

DOI:

https://doi.org/10.5965/2525530406012021e0010

Keywords:

Piano, Piano Pedagogy, Piano Performance, Piano Literature, Barbara Nissman

Abstract

Barbara Nissman is a North-American pianist known for her recordings of Alberto Ginastera and Sergei Prokofiev. Ginastera´s Sonata n. 3, his last work, was dedicated to her. She was the first to record the complete cycle of Piano Sonatas by S. Prokofiev, in 1989. Alongside her performance activities, she authored the book Bartók and the piano: A performer´s view. Ms. Nissman is a frequent guest artist/clinician, regularly invited to performances, lectures, and masterclasses. Her undergraduate and graduate studies took place at the University of Michigan, under the tutelage of pianist Gyorgy Sandor, a pupil of Béla Bartók. She released an extensive discography and educational DVDs that combine lectures and performances.

Downloads

Download data is not yet available.

Author Biography

Fernando Vago Santana, Universidade Federal de Juiz de Fora

Professor de piano da Universidade Federal de Juiz de Fora. Bacharel em Música – Piano pela Faculdade de Música do Espírito Santo (2011), mestre em Performance Pianística pela University of Kentucky (2014) e doutor em Música pela Unirio (2017).

Artigos Temática Livre - Publicação Contínua

Downloads

Published

2021-06-19

How to Cite

SANTANA, Fernando Vago. The pianistic art of Barbara Nissman. Orfeu, Florianópolis, v. 6, n. 1, 2021. DOI: 10.5965/2525530406012021e0010. Disponível em: https://revistas.udesc.br/index.php/orfeu/article/view/19540. Acesso em: 17 aug. 2024.

Issue

Vol. 6 No. 1 (2021): Artigos Temática Livre - Publicação Contínua

Section

Reviews and Interviews

License

Copyright (c) 2021 Fernando Vago Santana

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

Authors who submit their manuscripts to be published in this journal agree to the following terms:

1.    Authors retain the copyright and grant to the journal the right of first publication, whilst simultaneously permitting their work to be licensed under the Creative Commons License Attribution, which allows the sharing of work with recognition of the authorship and initial publication in this journal.

2.    Contributions in this journal are open access; this means they are based in free use, and non-commercial applications.