Sonework
DOI:
https://doi.org/10.5965/25944630812024e4876Keywords:
Lapidarium, studio, artistic processAbstract
What I will present, in this visual essay, are images of my house/studio in Goiânia, which I also started calling Lapidarium. With them, I intend to generate material visuality of my relationship with the studio, of what I bring to it, of what I select to produce works of art, of the tools I use to do so and of the space I occupy. Therefore, the focus here is not a specific work but the everyday conjectures of my artistic production and the space/time necessary for the works to happen. I bring visual excerpts of the preparation, apparatus and daily organization of my artistic work.
Using a text by author Luiz Alberto Warat (2004), which says something similar to what I have always done in my studio, I will continue this essay with reflections on what he says and images from my studio.
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WARAT, Luis Alberto. Leterasofia Warat: textos ilusoriamente completos para o Lapidarium de meu museu discursivo. In: _ MEZZAROBA, Orides, et.al. (Coord.). Territórios Desconhecidos: A Procura Surrealista pelos Lugares do Abandono do Sentido e da Reconstrução da Subjetividade. Florianópolis: Fundação Boiteux, 2004. v.1. p.23
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