Horror, halloween and MOSCHINO's spring/summer collection + 2020 resort fashion monstruous narrative

Authors

DOI:

https://doi.org/10.5965/25944630632022e2254

Keywords:

Horror, Fashion, Fashion Narrative

Abstract

The present research seeks to understand the fashion narrative created by Jeremy Scott for the spring/summer + resort 2020 collection of the irreverent and fun brand MOSCHINO, and the implications and messages present in it through the ideology of horror, proposed by Barry Grant (2010), that permeates it. Furthermore, horror films and the celebration of halloween are brought to the discussion, along with their dynamics and pop culture status which involve the viewer in an immersive experience. These elements support the analysis of the show, from its setting to the pieces presented by designer Jeremy Scott. At the end, a reading of the analyzed fashion narrative is presented, which comprises MOSCHINO in the fashion world as a creative, playful brand, endowed with subversive potential that beckons to both sociocultural realities and pop culture.

Downloads

Download data is not yet available.

Author Biography

Stella Mendonça Caetano, Unversidade do Vale dos Sinos

Doutoranda em Ciências da Comunicação na Escola da Indústria Criativa da Universidade do Vale do Rio dos Sinos - RS; Lattes: http://lattes.cnpq.br/6683371595996160; e-mail: stella.mcaetano@gmail.com.

References

BAUMAN, Zygmunt. Retropia. Zahar, Rio de Janeiro, 2017.

BOSCO, Joseph. Young people’s ghost stories in Hong Kong. The Journal of Popular Culture, 40, 785–807, 2003.

ETZIONI, Amitai. Toward a theory of public ritual. Sociological Theory, v. 18, n. 1, p. 44-59, 2000.

FELTON, Debbie. Haunted Greece and Rome: Ghost stories from classical antiquity. Austin: University of Texas Press, 1999.

GRANT, Barry Keith. Screams on screens: Paradigms of horror. Loading..., v. 4, n. 6, 2010.

KAWIN, Bruce. Horror and the horror film. London, England: Anthem Press, 2012.

KELLY, Simon; RIACH, Kathleen. Halloween, organization, and the ethics of uncanny celebration. Journal of business ethics, v. 161, n. 1, p. 103-114, 2020.

KING, Stephen. Dança Macabra. Rio de Janeiro: Francisco Alves, 1989.

KRACAUER, Siegfried. From Caligari to Hitler: A Psychological History of the German Film. Princeton: Princeton University Press, 1947.

REMSEN, Nick. MOSCHINO – Resort 2020. VOGUE US, 2019. Disponível em: https://www.vogue.com/fashion-shows/resort-2020/moschino#review. Acesso em: 01 jun. 2022.

SIMPSON, Jacqueline; ROUD, Stephen. A dictionary of English folklore. Oxford: Oxford University Press, 2003.

SOARES, Thiago. Abordagens teóricas para estudos sobre cultura pop. Logos, v. 2, n. 24, 2014.

SKAL, David J. The monster show: A cultural history of horror. New York: Macmillan, 2001.

VOGUE US. Moschino: Resort 2020. 2022. Disponível em: https://www.vogue.com/fashion-shows/resort-2020/moschino. Acesso em: 01 jun. 2022.

WOOD, Robin. “An Introduction to the American Horror Film.” In: BRITTON, Andrew; LIPPE, Richard; WILLIAMS, Tony; WOOD, Robin. American Nightmare: Essays on the Horror Film, pp. 7-28. Toronto: Festival of Festivals, 1979.

Published

2022-09-09

How to Cite

CAETANO, Stella Mendonça. Horror, halloween and MOSCHINO’s spring/summer collection + 2020 resort fashion monstruous narrative. Revista de Ensino em Artes, Moda e Design, Florianópolis, v. 6, n. 3, p. 1–14, 2022. DOI: 10.5965/25944630632022e2254. Disponível em: https://revistas.udesc.br/index.php/ensinarmode/article/view/22254. Acesso em: 21 dec. 2024.