The handmade and the mechanic in the Silhouettes and Phantasmagorias series by Manuela Siebert
DOI:
https://doi.org/10.5965/24471267612020107Keywords:
Manuela Siebert, painting, technical imageAbstract
This text approaches the relation established between painting and technical image in Manuela
Siebert’s production, investigating how such association interfered over the elaboration process
and visuality of her works. Thus, it takes into account the making of certain paintings from
Silhuetas e Fantasmagorias series. In this set of canvas, the artist conferred to the paintings
an aspect similar to mechanically-printed image, adopting techniques and materials of design
and visual communication’s field to achieve such end. Thereby, Manuela incorporated in her
pictorial practice a logic close to the industrial production mode, characterized by division
between project and manufacturing. Executed at pre-determined stages, the paintings show
outlines and colors which remind the impersonal and standardized images disseminated by
mass media.
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