Pescador de possíveis a montagem como possibilidade de um trabalho com imagens
DOI:
https://doi.org/10.5965/24471267422018050Keywords:
montage, collage , atlas , artistic practicesAbstract
By mapping the actions and knowledge contained in my artist practices I have understood the montage as an important element in the process of creating a collage and, consequently, in the work with images. Guided by the will to effect a thought connected with my experience, in this text I try to pay attention to the principles that the montage of a collage makes possible, approaching the notion of atlas of images developed by Aby Warburg where I am offered a visual configuration of thoughts by where the exchange, circulation and survival (DIDI-HUBERMAN, 2013) of the images.
Downloads
References
AUGÉ, M.; DIDI-HUBERMAN, G.; ECO, U. L’Expérience des Images. Bry- sur Marne: Editons INA, 2011.
BENJAMIN, W. Passagens. Belo Horizonte: Editora UFMG; São Paulo:
Imprensa Oficial do Estado de São Paulo, 2009.
COHEN, R. Performance como linguagem: criação de um tempo-espaço de experimentação. São Paulo: Perspectiva, 1989.
DELEUZE, G. Diferença e Repetição. Rio de Janeiro: Graal, 1988.
DIDI-HUBERMAN, G. Atlas - como levar o mundo nas costas? In: Sopro: panfleto político cultural, n. 41. Florianópolis: Ed.Cultura e Barbárie. 2010. Disponível em <http://www.culturaebarbarie.org/sopro/outros/atlas.html> Acesso em 20/07/2015.
DIDI-HUBERMAN, G. Imagens Apesar de Tudo. Lisboa: KKYM, 2012.
DIDI-HUBERMAN, G. A imagem sobrevivente: história da arte e tempo dos fantasmas segundo Aby Warburg. Rio de Janeiro: Contraponto, 2013.
DIDI-HUBERMAN, G. Pensar debruçado. Lisboa: KKYM, 2015.
FUÃO, F. F. A collage como trajetória amorosa. Porto Alegre: Editora UFRGS, 2011.
MICHAUD, P. A. Aby Warburg e a imagem em movimento. Rio de Janeiro: Contraponto, 2013.
RANCIÈRE, J. A partilha do sensível: estética e política. São Paulo: editora 34, 2009.
SALLES, C. A. Redes de Criação: construção da obra de arte. São Paulo: Horizonte, 2006.
SAMAIN E. (Org.). Como pensam as imagens. Campinas/SP: Editora da Unicamp, 2012.
WARBURG, A. Histórias de fantasma para gente grande: escritos, esboços e conferências. São Paulo: Companhia das Letras, 2015.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2018 REVISTA APOTHEKE

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Copyright and Licensing Policy
Authors of works submitted to Revista APOTHEKE authorize their publication in both print and digital formats exclusively for academic purposes. Reproduction is permitted, provided that the source is properly cited. Authors confirm the originality, authorship, and unpublished status of their manuscripts.
Articles published by the journal are freely available and intended for academic and non-commercial use only. All copyrights are transferred to the journal. The content of signed articles reflects the views of their respective authors and not the official position of Revista Apotheke. The author(s) agree to always cite the following reference when republishing or referring to the content originally published in Revista Apotheke:
“This article was originally published by Revista Apotheke in volume (insert volume), number (insert number), year (insert year), and is available at: http://www.revistas.udesc.br/index.php/APOTHEKE/index”
It is the sole responsibility of the authors to obtain written permission for the use of any material protected by copyright law included in their articles. Revista Apotheke is not responsible for copyright infringements committed by contributors.
Authors retain copyright and grant the journal the right of first publication, with the work licensed under a Creative Commons Attribution-NonCommercial License (CC BY-NC):
-
Attribution (BY): Licensees are allowed to copy, distribute, display, perform, and create derivative works, provided that proper credit is given to the author or licensor, in the manner specified.
-
NonCommercial (NC): Licensees may use the material only for non-commercial purposes.
After publication, authors retain the rights to their work and may republish the text.