Authorial photography as a translation of memories and subjective affections in shared dialogues in educational activities in the cultural space

Authors

  • José Carlos Pereira CIEBA/FBAUL

DOI:

https://doi.org/10.5965/24471267612020068

Abstract

Notas sobre a Teoria da Arte na fotografia de Jeff Wall e Thomas Struth

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Author Biography

  • José Carlos Pereira, CIEBA/FBAUL


    Professor auxiliar na Faculdade de Belas-artes da Universidade de Lisboa

     

References

BENJAMIN, Walter, A Modernidade (Pequena História da Fotografia), Lisboa, Assírio & Alvim, 2006.

NIETZSCHE, Friedrich, O Nascimento da Tragédia (Acerca da Verdade e da Mentira no Sentido Extramoral), Relógio D´Água, Lisboa, 1997.

JEFF WALL, Catalogue Raisonné 1978-2004, Schaulager/ Steidl, Switzerland-Göttingen, 2005 (cat.).

WALL, Jeff, Gestus: Scritti sull´Arte e la Fotografia, Quodlibet, Macerata, 2003.

WALL, Jeff, Ensayos y Entrevistas, Centro de Arte de Salamanca, Salamanca, 2003.

THOMAS STRUTH: Photographs 1978-2010, Museu de arte Contemporânea de Serralves, Porto, 2012 (cat.).

THOMAS STRUTH: Making Time, Museo Nacional del Prado, Madrid, 2007 (cat.).

THOMAS STRUTH: Still, Shirmer Art Books, Nîmes-Amsterdam-Paris, 2001 (cat.).

SANTOS, Diogo, O Grotesco, a Verdade e a Dimensão Dramatúrgica na Fotografia de Jeff Wall. Dissertação de Mestrado em Crítica, Curadoria e Teorias da Artes, Faculdade de Belas-Artes da Universidade de Lisboa, (policopiado).

Videografia

WILLIAM KLEIN, Provas de Contacto, Midas, 2009 (DVD).

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Published

2020-04-30

Issue

Vol. 6 No. 1 (2020): "Fotografia e Arte Educação: da permanência à fluidez"

Section

Artigos Demanda Contínua

License

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How to Cite

Authorial photography as a translation of memories and subjective affections in shared dialogues in educational activities in the cultural space. Revista Apotheke, v. 6, n. 1, 30 Apr.2020.

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