O Desenho-Escritura de Ana Hatherly e Mira Schendel
DOI:
https://doi.org/10.5965/24471267522019029Keywords:
desenho, escrita, Artes Visuais, narrativas, memóriaAbstract
A arte contemporânea é um regime de saber que tem se tornado cada vez mais permeável, portanto as contaminações entre disciplinas e meios é uma recorrência. Os desenhos de Mira Schendel e Ana Hatherly que se fundem. Com seus textos e escrituras são exemplos do diálogo entre narrativas, memórias e diários que expandem o processo plástico. O presente artigo aborda o desenho das duas artistas e sua relação com a escrita.
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BATEL,Joana. In:https://gulbenkian.pt/museu/artist/ana-hatherly/ 2010.
BENJAMIN, Walter. Experiencia e pobreza.In: Obras escolhidas. Trad. Sergio Paulo Rouanet. 10. reimpr. São Paulo: Brasiliense, 1996. v. 1: magia e técnica, arte e política.
KAMENZAIN, Tamara. Tâmara. Bordado y costura del texto.in: Historia de amor (y otros ensayos sobre poesía). Buenos Aires: Paidós, 2002. pp. 205/211.
MARTINS, Marta.Quase coisa nenhuma. Fpólis: Cultura&barbárie, 2018.
PIRES do VALE, Paulo. Ana Hetherly e o Barroco, Num jardim feito de tinta.Lisboa, Fundação Calouste Gulbenkian, 2017.
STIGGER, Veronica: O esvaziamento: MiraSchendel e a poesia da destruição.Academia. Edu. 2018.
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