Vol. 3 No. 52 (2024): Ações feministas/corpas decoloniais: Cenários do Sul

View Vol. 3 No. 52 (2024): Ações feministas/corpas decoloniais: Cenários do Sul

DOI: https://doi.org/10.5965/1414573103522024

Published: 2024-09-22

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Dossiê Temático: Ações feministas/corpas decoloniais: cenários do sul

A possible genealogy of decolonial bodies: the sino-latin american work of Zairong Xiang

Paula Telles de Menezes Faro, Christine Greiner

1-16
Disobedient reflections of a feminist writing-theater: collisions, interruptions, and arrangements

Martha de Mello Ribeiro

1-26
The reverse birth or the vertigo of returning

Janaina Fontes Leite

1-22
Decolonial feminism contributions to feminist art: streets, bodies and a multitude of otherness

Camila Bastos Bacellar

1-26
Returning to the land: body-territory and indigenous arts in Pindorama

Flavia Pinheiro Meireles

1-25
To the exiles of Brazil: understanding colonial violence in secular Brazil

Marcia Cristina da Silva Sousa, Elvina Maria Caetano Pereira

1-25
Fálica by Ana Luisa Santos: a performance of friction, a counter-monument

Sandra Bonomini

1-19
A body that stages resistance: dissident visualities and vocalities in the art of Jup do Bairro

Rose de Melo Rocha, Lucas Duarte Kelly

1-27
Pornoterrorist performances: escape routes against the heterosexual imaginary

Luisa Duprat

1-23
Self-defense devices in the performative work of Ana Flávia Cavalcanti

Ines Bushatsky

1-14
Gordança: celebrating fat bodies in dance from the south of the world

Renata Teixeira Ferreira da Silva, Patricia Fagundes

1-26
Stabat Mater, by Janaina Leite: scenic autofiction inverting moral violence

Ricardo Augusto de Lima, Lua Lamberti de Abreu

1-19
Subversions of gender, sexuality and ageism: the play Oramortem by in-Próprio Coletivo

Vicente Carlos Pereira Junior

1-23
For a decolonial clowning

Fernanda Dias de Freitas Pimenta

1-26
Narratives of resistance: femicide and artivist practices in focus

Amanda Marcondes

1-16

Continuous flow

Curatorship and coloniality: contradictions in MITsp’s decolonization process

Daniel Vianna Godinho Peria

1-26
Framing trans “violence”: Keyla Brasil at Theater S. Luiz, Lisboa

Leandro Colling, João Manuel de Oliveira

1-23
Perspectives for a vocal pedagogy: possibilities for a desiring voice

Valéria Cristina Machado Rocha

1-16
From literature to stage: theatricalization and recreation in Retábulo de Santa Joana Carolina, by Osman Lins

Douglas Rodrigues de Sousa

1-16
The infernal hunt to signs

Carmem Gadelha

1-13
Transporting as devised? – contemporary approaches to Étienne Decroux’s corporeal mime

George Mascarenhas

1-24

Reports

A fly sitting on my plate

Lia Garcia

1-10
Letters to Ítala: the force of threat and the power of fiction in Performance Art

Flávia Naves

1-24

Interviews

The feminist artivism of women artists at Yuyachkani: a conversation with Ana Correa

Stela Fischer, Lucia Helena Martins

1-18
What does the Teatro Experimental de Cali tell us today?

Leonardo Cesar Ertel Engel

1-15

Dramaturgias

eXile

Fernando Kinas

1-33

Translations

Between music and dance: Dalcroze and the Moving Plastic

José Rafael Madureira

1-25

Resenhas

Who cares about performance? Art, politics and education in focus

Matheus dos Anjos Margueritte

1-8

Ensaio Fotografico de Espetáculos

amortecido

Zilá Muniz

1-21