“LE SUBLIME EST EN BAS: The marinas in the paintings of Lucas Arruda and immanence in the work of Georges Didi-Huberman”. Palíndromo 18, no. 44 (maio 20, 2026): 1–42. Acesso em agosto 14, 2026. https://revistas.udesc.br/index.php/palindromo/article/view/28263.