«LE SUBLIME EST EN BAS: The marinas in the paintings of Lucas Arruda and immanence in the work of Georges Didi-Huberman». Palíndromo 18, no. 44 (maggio 20, 2026): 1–42. Consultato agosto 16, 2026. https://revistas.udesc.br/index.php/palindromo/article/view/28263.