LE SUBLIME EST EN BAS: The marinas in the paintings of Lucas Arruda and immanence in the work of Georges Didi-Huberman. Palíndromo [Internet]. 2026 May 20 [cited 2026 Aug. 17];18(44):1-42. Available from: https://revistas.udesc.br/index.php/palindromo/article/view/28263