Schoenberg contra Schenker contra Schoenberg: polêmicas sobre dissonância, motivo e forma e as reconciliações possíveis

Autores

  • Norton Dudeque Universidade Federal do Paraná (UFPR)

DOI:

https://doi.org/10.5965/2525530406032021178

Palavras-chave:

Schoenberg, Schenker, análise musical, teoria musical

Resumo

Este texto aborda uma das polêmicas mais importantes da teoria e análise musical do século XX. O embate entre Schoenberg e Schenker sobre a legitimidade das notas não harmônicas na música tonal, dissonâncias, a importância de motivo e forma. No texto busca-se discutir e esclarecer as concepções sobre estes assuntos e sua importância para as respectivas teorias analíticas de cada autor. Por fim, o texto apresenta as tentativas de reconciliação entre as duas tendências analíticas.

Biografia do Autor

Norton Dudeque, Universidade Federal do Paraná (UFPR)

Possui mestrado em Performance musical - University Of Western Ontario (1991), mestrado em Musicologia pela Universidade de São Paulo (1997), doutorado em Música (Ph.D.) - University of Reading (2002). Realizou estágio pós-doutoral no Kings College em Londres (2012). Atualmente é professor associado aposentado da Universidade Federal do Paraná e atua no Programa de Pós-Graduação em Música da UFPR. Tem experiência na área de Artes, com ênfase em Teoria e análise musical, atuando principalmente nos seguintes temas: análise musical, musicologia, teoria musical, música brasileira dos séculos XIX e XX.

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Publicado

2021-10-14

Como Citar

DUDEQUE, N. Schoenberg contra Schenker contra Schoenberg: polêmicas sobre dissonância, motivo e forma e as reconciliações possíveis. Orfeu, Florianópolis, v. 6, n. 3, 2021. DOI: 10.5965/2525530406032021178. Disponível em: https://revistas.udesc.br/index.php/orfeu/article/view/20053. Acesso em: 30 nov. 2021.