As matrizes corporais de Maricota: um estudo sobre o Boi-de-mamão

Authors

  • Milton De Andrade Universidade do Estado de Santa Catarina - UDESC
  • Samuel Romão Petry Universidade do Estado de Santa Catarina - UDESC

DOI:

https://doi.org/10.5965/2595034701032007176

Abstract

A presente pesquisa buscou analisar, reconhecer e recolher materiais que sirvam de estímulos edificadores a partituras psicofísicas do ator-dançarino, dando-lhe possibilidades de criação de uma técnica pessoal através da elaboração e da descoberta de códigos presentes na linguagem corporal de danças dramáticas brasileiras, mais especificamente na dança dramática da tradição popular do Boi-de-mamão

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Author Biographies

  • Milton De Andrade, Universidade do Estado de Santa Catarina - UDESC
    Docente e coordenador do Programa de Pós-graduação em Teatro (PPGT) da Universidade do Estado de Santa Catarina - UDESC. Mestre e Doutor em Artes Cênicas pela Universidade de Bolonha (Itália). deandrade@tin.it
  • Samuel Romão Petry, Universidade do Estado de Santa Catarina - UDESC

    Ator-pesquisador, graduando em Artes
    Cênicas pela Universidade do Estado de Santa Catarina - UDESC.

Published

2018-04-18

Issue

Vol. 1 No. 03 (2007): Teatro de Bonecos Popular Brasileiro

Section

Artigos fora do Dossier Temático

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How to Cite

As matrizes corporais de Maricota: um estudo sobre o Boi-de-mamão. Móin-Móin Magazine - Studies in the Art of Puppetry, v. 1, n. 03, p. 176–189, 18 Apr.2018.