Lecture: The creation of the costumes for Rancho Ameno Resedá, through the analysis of watercolors created by Amaro Amaral in 1913

Authors

DOI:

https://doi.org/10.5965/27644669040820240402

Abstract

Presentation in oral format carried out by me with the characteristic of a virtual exhibition, at the MEETING OF SCENOGRAPHIC ARTS & Seminar on Scenographic Pedagogies and Poetics, held in August 2023. I describe in this lecture about my research "The creation of costumes for Rancho Ameno Resedá, through the analysis of watercolors created by Amaro Amaral in 1913", of which I have also published a book about the theme. I approach this narrative with my place of speech supported by my trajectory as a researcher, who has explored fashion, the costumes of different shows (including carnival) and I have been observing these languages, considering them practices similar to design – as a field of production. This is all available to read at the link https://drive.google.com/file/d/1UyXaQmr8X0Ck1v3a9NRtm1MACa9LaU3o/view, in a chapter titled “Particular Forms of Design. What is it, why and how?”, published in this book.

Downloads

Download data is not yet available.

Author Biography

  • Madson Luiz Gomes de Oliveira, Universidade Federal do Rio de Janeiro - UFRJ

    Doutor em Design pela PUC-RJ (2010), Membro permanente do Programa de Pós-Graduação em Design-PPGD; Escola de Belas Artes-EBA; Universidade Federal do Rio de Janeiro-UFRJ-

Published

2024-12-28

How to Cite

Lecture: The creation of the costumes for Rancho Ameno Resedá, through the analysis of watercolors created by Amaro Amaral in 1913. A Luz em Cena: Revista de Pedagogias e Poéticas Cenográficas, v. 4, n. 08, p. 1–17, 28 Dec.2024.